EVERY
JOINT
TELLS YOU
SOMETHING.

One-person shop. Black walnut and live-edge maple. Dining tables, floating shelves, and heirloom jewelry boxes — shaped by hand planes and an unhurried stubbornness about joinery.

BLACK WALNUTLIVE-EDGE MAPLEHAND-CUT DOVETAILSMORTISE & TENONASHEVILLE, NCBLACK WALNUTLIVE-EDGE MAPLEHAND-CUT DOVETAILSMORTISE & TENONASHEVILLE, NCBLACK WALNUTLIVE-EDGE MAPLEHAND-CUT DOVETAILSMORTISE & TENONASHEVILLE, NCBLACK WALNUTLIVE-EDGE MAPLEHAND-CUT DOVETAILSMORTISE & TENONASHEVILLE, NCBLACK WALNUTLIVE-EDGE MAPLEHAND-CUT DOVETAILSMORTISE & TENONASHEVILLE, NCBLACK WALNUTLIVE-EDGE MAPLEHAND-CUT DOVETAILSMORTISE & TENONASHEVILLE, NC
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THE CRAFT // PROCESS

HOW IT
GETS MADE

Stack of rough-sawn hardwood slabs at a sawyer yard, varied widths and species
01

LOG SELECTION

The slab
chooses you.

Every commission starts at the sawyer's yard — not a catalog. I walk slabs until one stops me. A crotch figure in the walnut. A mineral streak in the maple. A crack that'll be a feature, not a flaw, once it's filled with black-dyed epoxy. The wood decides the table's character before the first pencil mark.

Hand plane set up on a hardwood bench, shavings curled beside it, workshop light from left
02

HAND TOOL WORK

Quiet work
makes loud
pieces.

No router tables. No CNC. Mortises are chopped with a mallet and a 3/4" bench chisel. Dovetails are scribed with a marking gauge and cut to the line. A hand plane leaves a surface so flat a straightedge can't find daylight. The marks of the maker stay in the wood — read them if you know what to look for.

Tight hand-cut dovetail joint in walnut, showing perfect fit with no gaps, macro close-up
03

JOINERY

Cut once.
Fit it
until it sings.

A joint that fits by hand — not by machine tolerance — has a particular feel when it closes. The wood compresses slightly, the grain locks, and the whole assembly becomes stiffer than the sum of its parts. That's what you're paying for when you commission a piece. Not the finish. The fit underneath.

TESTIMONIALS

WHAT THEY SAY

HEARD IN
THE FIELD

"
We specified the walnut dining table for a Montclair renovation. The clients haven't stopped talking about the joinery. I've since sourced three more pieces for other projects. The lead times are long and worth every week.
RE: Black Walnut Dining Table
Priya Mehta, interior designer with dark hair, professional portrait

Priya Mehta

Principal, Mehta Residential Design

New York, NY

"
I've owned a lot of furniture. This is the first piece I've ever genuinely studied. The drawbored tenons are visible from one angle — I leave that side facing the window so the light catches them in the morning.
RE: Live-Edge Maple Shelves
Daniel Okafor, man with glasses, casual portrait outdoors

Daniel Okafor

Homeowner

Asheville, NC

"
The Build Journal PDF changed how I think about documenting my own work. I've been making furniture for eight years and I'd never written down a finish schedule. Now I keep one for every commission.
RE: Build Journal Download
Tomás Vega, woodworker with beard, workshop behind him

Tomás Vega

Furniture Maker

Portland, OR

JOURNAL

FREE DOWNLOAD // BUILD JOURNAL

THE FULL
RECORD.

One signature piece. Documented from the moment the log hit the mill floor to the final coat of Rubio.

Species selection rationale. Moisture content readings. Every joint decision with reasoning. Finish schedule with dry times. The parts furniture makers don't usually share because they think it gives something away.

It does. That's the point.

Log selection criteria
Milling & drying notes
Joinery drawings
Hand tool sequence
Finish schedule
Dimensioned sketches

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